Protest, Trauma, and Therapy in Tennyson’s “The Lotus-Eaters”

Authors

  • James Krasner University of New Hampshire, United States of America

DOI:

https://doi.org/10.14712/23362685.5081

Keywords:

Homer’s the Odyssey, trauma, Tennyson, protest, therapy

Abstract

Alfred, Lord Tennyson’s “The Lotos-Eaters” rewrites Homer’s tale from Book IX of the Odyssey; in Tennyson’s version Odysseus’ men successfully mutiny, declaring their independence from their captain and abandoning the voyage home. While the poem is typically read as a guilt-ridden celebration of the poet’s escape from society into a lush imaginative world, this paper compares Homer’s and Tennyson’s versions to demonstrate the political and psychological significance of the mariners’ opposition to their captain. Their decision to stay is an active political choice grounded in their post-war psychology. The paper then places Tennyson’s portrayal of the landscape and the mariners’ expressions of pain in the “Choric Song” in the context of therapeutic models for treating post-traumatic stress disorder among military veterans.

Author Biography

James Krasner, University of New Hampshire, United States of America

JAMES KRASNER is a Full Professor of English at the University of New Hampshire.  His specialties are British Victorian Literature and Medical Humanities. His works include Homebodies: Tactile Experience in Domestic Space (2010) and The Entangled Eye: Visual Perception and the Representations of Nature in Post-Darwinian Narrative (1992). In addition to essays on Arthur Conan Doyle, he has published articles on works by George Eliot, Thomas Hardy, Zora Neale Hurston, Alfred, Lord Tennyson, and Charles Darwin, as well as interdisciplinary studies dealing with phantom limbs, animal hoarding, medical narrative, and women primatologists.

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Published

2025-09-26